©2010 The Peanut Whistle. All rights reserved.
28 February 2010
Rocktober
©2010 The Peanut Whistle. All rights reserved.
06 November 2009
I Want to Know
I can name numerous mainstream hits adapted for the gospel market. Accusations of hypocrisy notwithstanding I have never seen anything wrong with presenting a “secular” artists’ songs in a “religious” setting providing that the lyrics are compatible. The movie An Officer and a Gentleman produced Up Where We Belong sung by Jennifer Warnes and Joe Cocker made better by The PTL Singers & Orchestra (a BeBe and CeCe Winans duet) and a marvelous cover version on Christian radio arguably the biggest hit on my first radio home. The gospel version was only slightly modified by singing Lord lift us up where we belong instead of love lift us up. How is that any different than Love Lifted Me? God is love, right?
Before I close; ever consider Eric Clapton’s Tears in Heaven for gospel radio airplay? That song holds up well despite being secular. Unmodified it would make a great candidate for what I call a reverse crossover. Yesterday I heard Kirk Franklin do an old Kenny Loggins number, This is It, made a great gospel song. Bravo.
Anyway I am pondering similar ideas for my new Internet radio station that will feature a good mix of secular and sacred both old and new. It will be a whacky format for sure. It will be positive music in the purest form. The best of both worlds without rules of outdated traditions aimed at the seekers of this world not unlike myself.
20 September 2009
Alias Jim O'Neal
13 August 2009
We’re Douglas Country!
Radio home number three has been very hard to write about because it ended in a bitter divorce. Just like the child, little J-O-E, in the famous Tammy Wynette song I needed shelter from the awful truth. I realize now, 18 years later, having survived a bad first marriage in real life a decade ago this radio separation thing was a walk in the park. Both marriages lasted only 10 months.
Third time around was another unique situation. This new owner held a General Radiotelephone Operator License (GROL). I was impressed with his credentials and his engineering background in both radio and TV. The honeymoon soon ended when I discovered his hardnosed, dictatorial approach to managing our staff. This radio home was now owned by one individual owner operator not a corporation or church organization like my previous employers. Imagine Fidel Castro rolled up into Adolf Hitler. So as not to defame the dead, I’ll call him Bill.
The church that had owned WSPZ had become desperate to unload this albatross hung around their neck. So desperate, in fact, that Bill wound up paying less than a tenth of the original asking price of the station less the studio building, which he’d lease from April until we moved the following summer of 1990.
Bill, 58 years old, entered with flattery, focusing his attentions on my office of program director. He seemed to value my role and appointed me architect of the new image. What an ego expedition this turned out to be for me. I came up with the new call letters WDCY-AM, representing We’re Douglas County. We realized the focus of the former owners was too broad. They had assumed our 2,500 watt signal would penetrate the Atlanta environs and marketed us as such. We decided to do a heavy local push by adding a news director and field reporters, making our presence known in the business community, covering nearby high school sports events and doing live remotes ad nauseam. Bill had some great ideas; made some tough adjustments to staff and bruised many egos along the way, but I must say that it was never boring. Bill and I were just too different. He never had a proper understanding of our Southern Gospel music format often referring to it as Barber Shop Quartet. I was an impetuous 24 year old bent on winning control over the old man’s station. Boy, was I wrong!
I believe a pivotal moment for Bill was a Gospel concert he had masterminded, not meeting his expectations, although I saw it as a success during the culmination of Southern Gospel Music Month in September of ‘90. I pled the cause of Gospel music, but he seemed soured by the experience and preferred to go to what he called Country and Western. Who called Country that anymore? Secretly, I knew a secular format would not work for me and would probably quit should we change. Anyway, for the first time ever I was forced to take an on-air partner and produce a morning show modeled after the morning zoo fluff shows popular those days. The Mabry & O’Neal Morning Show was born around November with promotions director slash occasional news reporter, Angie Mabry. We both worked hard at it but the show was incompatible with our audience. We seldom ever referred to the Gospel music or religion at all.
By February of 1991 Bill had trimmed the now bloated air staff taking on some air time himself. This change put me on-air 6 days a week thereby stealing vital time away from the office and production room tasks necessary for perfecting our sound. The balancing act proved humanly impossible and I resigned during the inevitable and ultimately ill fated format change to country and a new slogan, We’re Douglas Country.
Stay tuned
10 July 2009
Live from the Traffic Circle
Talk about a one of a kind personality. I grew up listening to this guy in Savannah. It was a peanut whistle in Garden City, Georgia owned and operated (literally) by one man, Chris Watkins.
The station has been long abandoned. A daytimer that served most of the coastal town’s market. His format was hillbilly music served with Chris’ homespun humor, random musings and Paul Harvey news.
Chris preceded me as a DJ at WEAS-AM by at least 15 years and we never crossed paths. It’s a mystery how this guy got into radio much less how he had a successful local Country music show on the 5,000 watt WEAS and eventually his own station known as WNMT an ABC news affiliate. His was a gravely voice instantly recognizable. Imagine pulling your tongue all the way back into your throat affecting a deep southern accent and and odd chirpy staccato delivery while munching on rocks and you’ve got Chris.
He was known to do some odd things on the air seeing that he was not only the owner but sole DJ sunrise to sunset for a period of time. Once I was listening to him ramble off a local announcement then out of the blue he remarks, “Hmm, thought I heard a dog bark.” Then he goes back to his copy without missing a beat. Those long air shifts must have addled his brain temporarily.
Chris was opinionated and apparently a shrewd businessman. He refused to take on any religious brokered programs as he told my preacher father, “I’ll never have any pastors on my station.” I understand a few years later he rescinded his vow and allowed a few preachers on shortly before the station’s demise in the late 1980’s. He must have realized that despite his negative opinion of religion, carrying these brokered shows is almost a given in the peanut whistle world. It pays the bills.
When I moved to the Atlanta area, a top 10 major market radio town in 1986, I thought I had left behind the quaint radio personalities of Savannah. Surely all the radio announcers in the big city were golden throats speaking the king’s English with great precision. Boy was I naive. I was surprised to find Ludlow Porch on 50,000 watt clear channel WSB-AM. This guy did a mid-day talk show and later became syndicated all with Chris’ voice. The man could have been his twin. Sure his banter was more coherent than Watkins but this was a major market for crying out loud. I mean no disrespect to either of these unique men because my whole point boils down to realigning my own perceptions as a listener. Instead of fodder for ridicule I’ve learned to accept these unconventional voices for what they are or just simply listen elsewhere.
I did an audio parody of Chris Watkins years ago and will include it in a future Radio Rewind podcast so…
Stay tuned.